Current Exhibition:
House of the Thief



House of the Thief curated by professor Colin Ripley features a series of speculative sketch projects which seek to form confrontations between the work and life of French novelist Jean Genet and the practice of architecture.

This project looks to Genet, the “thief”, to break into the house of architecture, to uncover its secrets.

View the exhibition at: houseofthethief.com


To view our inaugural online exhibition, the 2020 Year End Show, click here.




“There is a queerness in these questions, a queerness that we believe is fundamental to the construction of architecture, and especially of modern architecture. ” — Colin Ripley
COLIN RIPLEY & COLLABORATORS
House of the Thief WWW.HOUSEOFTHETHIEF.COM

On April 15, 1986, Jean Genet died in a room in Jack’s Hotel in Paris.

Jean Genet, born in 1910 (the same year as Le Corbusier’s architectural practice), was, in chronological order, an orphan, delinquent, homosexual, soldier in the French Foreign Legion, vagabond, prostitute, thief, prisoner, poet, novelist, playwright, political agitator, supporter of the Black Panthers and the Palestinian Fedayeen. He was described by Jean Cocteau as the greatest of modern French writers, before any of his works had been published; his first novels were written in prison. By 1986 Genet was a wealthy and world-renowned writer.

Still, he stayed in a one star hotel when in Paris. Or anywhere else.

According to legend, Genet always slept with a packed suitcase under the bed. What we don’t know, really, was what was inside the suitcase. In this exhibition we propose that the suitcase was nothing short of Genet’s house: The House of the Thief.

In the suitcase we will find a number of sketch projects that seek to form confrontations between the work and life of Genet and the practice of architecture. A number of ideas and questions brought roughly from Genet permeate the work:

  • What is the nature of ground?
  • What happens when a line becomes a noose?
  • What is hidden by (behind) the section cut?
  • What is the shape of the void?

There is a queerness in these questions, a queerness that we believe is fundamental to the construction of architecture, and especially of modern architecture. This project looks to Genet, the thief, to break into the house of architecture, to uncover its secrets.

The work of this exhibition, funded by SSHRC and situated virtually in the Paul Cocker Gallery at Ryerson University in this COVID-19 year, is very much a work in progress. Following this presentation, we will undertake another year of design work, another round of discussion next summer, and a final year of design production leading to anticipated final exhibition and publication in 2022.

Ryerson Department of  Architectural Science Toronto, CA.