The Venice Storytelling Centre
Located at the Giardino delle Vergini, the Venice Storytelling Centre introduces a space that allows an alternative way to experience a story, attempting to expand what a story may be.
With pathways on the West, North, and East sides of the site, the project encourages the idea of arrival. Vertical revolving fins along all sides of the open courtyard creates the relationship between physical interaction and interior space. As pedestrians walk along the North path, they are provided with a peripheral glimpse of an informal story being told within the courtyard, sparking an interest to investigate further. An intended relationship between the adjacent Biennale pavilions and the site is constructed by matching the roof slope and eaves height of the new office mass sheltering the cafe. While their relationship is strong, their differences are clearly defined.
With pathways on the West, North, and East sides of the site, the project encourages the idea of arrival. Vertical revolving fins along all sides of the open courtyard creates the relationship between physical interaction and interior space. As pedestrians walk along the North path, they are provided with a peripheral glimpse of an informal story being told within the courtyard, sparking an interest to investigate further. An intended relationship between the adjacent Biennale pavilions and the site is constructed by matching the roof slope and eaves height of the new office mass sheltering the cafe. While their relationship is strong, their differences are clearly defined.
The revolving bright pink fins define the interior courtyard space, while the golden fins along the West define Caffé d’Oro, the Golden Coffee. The two elements work in unison, defining the loggia. The sky-blue office mass creates the relationship to the bright blue sky, golden fins connect with the city’s Byzantine heritage, and vibrant colours model admiration for the beautiful colours used in Venetian blown glass and glass mosaics. The vibrant colours surrounding the storytelling space over-stimulate the senses - senses which are then under-stimulated when attention is turned to the storytelling space, emphasizing the story itself.
Upon entry to the storytelling space, one’s senses begin to calm through the muted gray exterior then interior space. Light only from the slight void in the roof and the dim glow from the punched holes through the wall connect one with a greater sense of the infinite. As one lays down on the mesh, they are suspended, leaving them motionless as the story progresses. The listeners are fully immersed in the story being told - no matter the tone, the importance is held on the voice and the story itself. The storytelling space is its own story yet suits any tale being told. Whether the story is being told nearby or disconnected through the sound of an echo, the storyteller controls the emotion of the occupants, no matter their proximity.
Upon entry to the storytelling space, one’s senses begin to calm through the muted gray exterior then interior space. Light only from the slight void in the roof and the dim glow from the punched holes through the wall connect one with a greater sense of the infinite. As one lays down on the mesh, they are suspended, leaving them motionless as the story progresses. The listeners are fully immersed in the story being told - no matter the tone, the importance is held on the voice and the story itself. The storytelling space is its own story yet suits any tale being told. Whether the story is being told nearby or disconnected through the sound of an echo, the storyteller controls the emotion of the occupants, no matter their proximity.
