Current Exhibition:
Year End Show
2020



For our inaugural online exhibition, the Ryerson Department of Architectural Science is showcasing our 2020 Year End Show, featuring our best student work. At DAS, we encourage students to test boundaries, explore new possibilities, and apply their skill to prevailing issues present within their evolving surroundings. This annual exhibition presents the culmination of the 2019-2020 academic term, showcasing the impressive and cutting-edge works of our top students in all four years of study and at the graduate level.



ONLINE CATALOGUE
YEAR 1
        Communications Studio: ASC 101
        City Stories: ASC 201
YEAR 2
        Design Studio II: ASC 301
        Design Studio III: ASC 401
YEAR 3
        Integration Studio I: ASC 520
        Integration Studio II: ASC 620
YEAR 4


        Architecture Studio: ARC 720
        Architecture Studio: ARC 820

        Building Science Studio I: BSC 720
        Building Science Studio II: BSC 820


MArch
        Studio in Critical Practice: AR8101
        Seminar in Critical Practice: AR8102
        Studio in Collaborative Practice: AR8103
MBSc & MASc

        Building Design Seminar/Studio: BL8104


YIRAN MA
Gallery on Church




As an artist working at the juncture between Art and Architecture, Laurence Breton pro­vides a unique view of revealing the objective existence of materials, the exploration be­tween a plane and an infinite space, and the way materials being manipulated that is the process of production and transformation.



In a built form way, the museum will attempt to establish an architectural response to Lawrence Breton’s art by revealing the mainsprings and intelligence of her creation. It fo­cuses on exploring the integrity of materials and the way it is transformed into a space of painting. The inner space is designed to be introverted to reinforce the intensity of the at­mosphere which becomes independent from urban environment. The strong sense of ma­teriality is brought by rawness and imperfection of corten steel and cement, incorporated with the manipulation of exaggerated space and human scale, the museum is designed to immerse the visitors with the spirit of Laurence Breton.